Purple Coat

After years and years and several changes of plans, purple coat is finished, being worn and generally bopping about town.

It is made of a purpley-rainbow bucle wool, purple bemberg lining and lightweight cotton batting as interlining.   (two layers in the hood and torso, one in the sleeves and skirt)  

I've had it nearly finished for a couple of years now - languishing in my closet waiting for me to figure out the closure and the trim.    However, after my regular wool coat started to seriously fall to pieces, I dug through the stash and found a roll of navy piping that worked.  (This also lead to the self-fabric buttons getting switched for big navy ones.  More pop - and made the pipping make sense.)

The pattern is my own design - a massive franken-beast with a fair bit of redrafting.  It has zippered side pockets, zippered sleeves (a relic from when I wore arm braces daily and needed to be able to get in an adjust them without taking off the whole coat.)  (Happily, its been a while and I rarely bother carrying them around anymore.... Actually I'm not even sure where they are right now.   ::heart swells with joy and wonder::   This coat spans years and sagas and stories -- and this one has come out really well. )   (Seriously - we're talking serious glee over here right now.)   

 frolic frolic frolic frolic

 The giant hood sometimes blows off in the breeze and the skirt part flies open, letting my lovely warm air escape - but the torso is warm and the coat is fun to wear, so right now its my feeling-fancy coat, and I love it.

Miniature Muslin for VPLL 5941

My coat is done - but the weather is not cooperating - lots of rain, wind and clouds (good coat weather - lousy time for photography) so pictures will come eventually - but for now - on to the next!

VPLL 5941

We've been invited to a Great Gatsby themed new year's eve party - so clearly, I needed a new dress.  I decided to go with the  Fishtail Evening Gown from (I think) 1928.   Its a reprint of a vintage pattern with original instructions (or lack thereof) and a modern tutorial.    The tutorial is somewhat better, but still pretty confusing.   I couldn't even make a muslin, since I still couldn't tell how the skirt came together - so I decided to do a miniature version to save fabric while I sorted it out.

I promise, this is the front

I know it doesn't look like anything much - not the least because the scraps I used were fairly sturdy cotton - but it allowed me to sort out how the seams come together.   There are a couple on the side hip that never get mentioned that are massively confusing when laying out the pattern and much easier to see when one is actually manipulating the fabric.   

100% the back

 The back is pretty tricky, as sewing it together involves flipping it wrong side, right side, wrong side, right side, fold, tuck and sew.   However, with some time, it comes together fairly well (yes, I know the cotton doesn't look like anything but  wad of handkerchiefs - but just go with it.  This was an illuminating learning experience and I highly recommend it to anyone trying to figure out this pattern.)

skirt, under the back flare

 For anyone who is unfamiliar, the vintage pattern lending library is (for my purposes at least) a store carrying direct reproductions of original patterns, going from 1850 to 1959.   From what I understand, actual members can borrow patterns, but I don't do enough vintage for it to make sense to join - however, it is a lovely resource to have available.  (I've been mooning over this pattern for years and finally had a reason to get it.)

sweater! sweater! sweater! sweater!

Look Ma!  No hands!

 I finished my sweater (my first sweater!!) right before Thanksgiving dinner.    It ended up a lot more floppy than intended, but I wore it anyway, and have done so several times since then, despite it being completely unseasonable and not nearly warm enough.   For it is my sweater and I hath knitted it.  

All hail the twisty cables that have been my trusty companions for a little over a year.